Abstract
The article presents an analysis of the sensual potential of film images via the example of cooperation between operator Emmanuel Lubezki and three directors: Alejandro Gonzales Iñárritu, Alfonso Cuarón and Terrence Malick. The impact of reconstruction of film space on the sensual impressions of viewers in the context of the American theory of somatic cinema was also analyzed. What influence does the dimension of cinematographic cooperation have on the concept of authorial cinema?
Highlights
E article presents an analysis of the sensual potential of lm images via the example of cooperation between operator Emmanuel Lubezki and three directors: Alejandro Gonzales Iñárritu, Alfonso Cuarón and Terrence Malick. e impact of reconstruction of lm space on the sensual impressions of viewers in the context of the American theory of somatic cinema was analyzed
What in uence does the dimension of cinematographic cooperation have on the concept of authorial cinema?
Autorski wymiar omawianych w tym artykule dzieł, jak między innymi Ludzkich dzieci, Zjawy czy Drzewa życia, funkcjonuje gdzieś na styku stylu Emmanuela Lubezkiego i aspektów stylu reżyserów-autorów
Summary
E article presents an analysis of the sensual potential of lm images via the example of cooperation between operator Emmanuel Lubezki and three directors: Alejandro Gonzales Iñárritu, Alfonso Cuarón and Terrence Malick. e impact of reconstruction of lm space on the sensual impressions of viewers in the context of the American theory of somatic cinema was analyzed. Akcja Ludzkich dzieci osadzona jest w posępnym, pogrążonym w chaosie świecie, w którym od wielu lat nie urodziło się ani jedno dziecko. Istotne jest nie tylko to, w jaki sposób te sceny są nakręcone, ale też sama przestrzeń, po której błąkają się postaci.
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