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Prototype dynamics in the Restoration vernacular print: A diachronic onomastic study of Poor Robin’s Almanack

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TL;DR

This study analyzes the internal semantics of mock-saint calendars in Poor Robin’s Almanack (1664–1674), using a corpus of 2,728 names classified into narrative roles and provenance, revealing a graded folk taxonomy and shifts from political invective to humor, demonstrating that fixed-format onomastic satire can inform historical cognitive linguistics.

Abstract
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This study quantifies the internal semantics of the mock-saint calendars that appeared annually in Poor Robin’s Almanack between 1664 and 1674, the most widely circulated comic almanac of Restoration London. From ten digitized issues a corrected onomastic corpus of 2728 tokens was compiled; every name is time-stamped by month and year, classified under one of eight narrative roles — Heroes & Knights, Lovers, Magic & Supernatural, Notorious Women, Outlaws & Rogues, Sages & Satirists, Tricksters & Fools, and Tyrants & Traitors — and tagged for cultural provenance (Greek myth, broadside ballad, contemporary pamphlet, etc.). Token frequency serves as an historical production norm; the category concentration and intra-class typicality translate that frequency into prototype strength. Results reveal a graded folk taxonomy. Lovers and Heroes & Knights form tight, myth-anchored nuclei dominated by a handful of classical and romance figures, whereas Tricksters & Fools and Tyrants & Traitors display deliberately flat profiles open to continual topical additions. Provenance tags show a strong correlation between lexical concentration and cultural homogeneity: categories with high concentration draw most of their tokens from a single narrative pool, while diffuse categories recruit names from five or more source domains. Diachronically, the calendar’s centre of gravity first shifts toward political invective, then toward jest-book humor, quantifying how popular print renegotiates the sacred–profane boundary in step with shifting political climates and the taste for novelty. Methodologically, the article demonstrates that fixed-format onomastic satire can be mined much like production norms: name extraction, semantic tagging, prototype metrics and diachronic slicing together provide an alternative for historical cognitive linguistics.

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This paper combines Wmatrix with BNCweb to look at the grammar of linguistic metaphors formed by concrete nouns and their derivatives across word classes in order to shed light on learning of polysemous words. The methodology is to search different word classes of such a noun in BNCweb, use the concordances to construct corpus data and upload the data to Wmatrix for semantic domain tagging, choose the self-contained corpus in Wmatrix — British English 2006 — for a reference corpus to do the frequency comparison, then study the resultant key semantic tags as clues to identify the source domains of metaphor. The underlying idea of Cognitive Metaphor Theory, the Great Chain of Being and the semantic makeup of a concept will help with the identification of a metaphor. The case study on duck shows the detailed process and feasibility of the research method. The research results reveal how different meanings of a concrete noun are related by metaphor or metonymy, which facilitates the learning of polysemous words.

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