Protection of the cultural heritage in the recomposition project of the manor house and park complex in Medyka

The modern landscape design trend that emerged in the background of the times is a product of the continuous development of social politics, economy and As one of the more unusual ideas in modern landscape design, Earth Art was born in the wilderness in the early stages of its development and was subject to some limitations in terms of place and concept, but some of the ideas derived from its work for the earth. subject to some limitations in terms of place and concept, but some of the ideas derived from its work for the earthy landscape environment gradually took Earth art attempts to reclaim nature as a space for experience, as a space for reconstructing Earth art attempts to reclaim nature as a space for experience, as a space for reconstructing the relationship between people and the environment, and in some ways it has become an approach that can be drawn upon to develop a new language for the This thesis takes the geodesic landscape as the object of study and establishes an aesthetic paradigm for the landscape based on the study consists of three levels of the aesthetic paradigm for the landscape: the first level of the aesthetic nature of the geodesic art landscape (the first level of the aesthetic nature of the landscape) and the first level of the aesthetic nature of the landscape. the first level of the aesthetic nature of the geodesic art landscape (value theory), the second level of the aesthetic scope of the geodesic art landscape (methodology), and the third level of the third level of the aesthetic form of the geodesic art landscape (design approach). Through the study of the aesthetic thought of geodesic landscapes, a deeper understanding of geodesic landscapes will be enhanced and a reference By clarifying the aesthetic thinking of contemporary landscape development, it will enable a better By clarifying the aesthetic thinking of contemporary landscape development, it will enable a better integration of modern western landscape design thinking with China's local environment and provide a theoretical basis for China's urban landscape The thesis uses both documentary research methods and case studies to analyse and study three aspects of the aesthetic nature, The thesis uses both documentary research methods and case studies to analyse and study three aspects of the aesthetic nature, aesthetic categories and aesthetic forms of earth art landscapes.

With the rapid development of China’s modern landscape design, high-speed growth of China’s economy as well as the accelerating process of urbanization, people have become more eager to improve the living environment, which makes the landscape design an essential part of modern design. Since China’s economy and culture are increasingly integrated with the world, Chinese people have recognized the importance of traditional culture under impact of today’s diverse cultures, and their focus on the aesthetic appreciation and design of modern landscape has gradually shifted from the Western landscape system to the landscape design reflecting traditional culture connotation. Therefore, the traditional Chinese garden making techniques have been gradually accepted by the public, also awakening and national pride and self confidence in memory. The Chinese traditional techniques have been tentatively used in the design of a large number of modern landscape architectures. Even with different final effects, it’s an attempt to follow the Chinese traditional gardening style with poetic imagery beauty after all. In this paper, the analysis has been conducted from three aspects including the connotation and definition of landscape, the cultural connotation of poetic imagery of Chinese gardens and the specific application of poetic imagery beauty in landscape, thereby presenting some feasible methods for how to integrate Chinese traditional poetic imagery beauty sympathetically into modern landscape design and to create the sense of beauty. Keywords—Chinese gardens; poetic imagery beauty; modern landscape design

Modern landscape design develops from germination in the early 20th century to contemporary mature, forms the scientific, artistic and social three aspects which supplement each other. Most landscape designers realize that the landscape no longer means picturesque, but must match society and science together to create more abundant value, involving every aspect of people's life. Now, ecological socialism has become the inner essence that a landscape designer must consider, which includes respecting the natural development process, emphasizing species diversity, advocating energy and material recycling, maintaining plant environment and animal habitat quality, development of sustainable treatment technology and maintaining the nutrients and water cycle. The modern landscape design and ecology Landscape ecology is a new cross subject booming since 1970s, is a comprehensive interdisciplinary subject between ecology and geography, it is also a new branch in the field of ecology. It based on ecology theory framework, absorbing modern geography and systematical science, researching the landscape structure, function and dynamic, including landscape and regional scale of resources, environmental management and management issues with comprehensive integrity and macro regional characteristics, and to study on the relationship between the landscape structure and the ecological process. Since the late 1980s, landscape ecology has gradually become a hot spot of research in the world's resources, environment and ecological aspects. A brief introduction Ecology is a science the study the mutual relationship between biology and its surrounding environment (including abiotic environment and biological environment). Ecological landscape is multidimensional system consisting of the social, economic, natural and cultural compound ecological system including the natural landscape, the pattern of the economic landscape, cultural landscape, the multi-dimensional coupling process and function. It emphasizes on the harmony between human and space environment ecosystem, past, present and future urban development, and the symbiosis between heaven, earth and human harmony. Ecology refers to all the biological state of being and the survival of any creature, which all needs a certain amount of space, matter and energy, not existing in isolation. They are closely linked to the living environment around, constantly cycle and flow between each other. The design concept of ecological landscape is the important embodiment of adhering to the principle of sustainable development, is the inevitable developing trend of landscape design. Raising the level of ecological landscape design can improve the quality of life in the city, improve the urban environment and meet people's ecological requirements. Modern landscape ecological design is an important part of urban ecological planning. The modern landscape ecological design puts emphasis on the people-oriented and the concept of ecological. Modern landscape ecology is a kind of slogan and target. Sticking to the principle of sustainable development, raising the level of ecological landscape design are to solve the relationship between natural and artificial landscape, make the perfect combination in order to improve the quality of life in the city and improve city's environment so that the human and the nature can be harmonious and unified. At the same time, landscape ecological design not only meets the spiritual needs of people, but reaches the energy cycle of natural materials from the perspective of ecology. This kind of landscape design establishes

Chinese concept of landscape design originates from Chinese traditional culture, which is based on the basic framework integrating Confucianism, Taoism and Buddhism and embodied in the design of many classic ancient landscapes. However, spiritual culture is seriously missing in Chinese modern landscape construction, which affects landscape design and shaping. It is urgent to restore spiritual culture in modern landscape design. The development of landscape design shall give more priority to the harmony of human, culture and the nature, and emphasize Chinese spiritual culture in modern landscape design. Only those landscape designs that embody the connotation of Chinese spiritual culture can have real vitality, and only those designs that embody the features of Chinese spiritual culture can actually give people spiritual comfort and a sense of belonging. Giving priority to creating and presenting spiritual culture and images of Chinese landscape and seeking for landscape designs that present Chinese features is the path for innovative development of Chinese landscape design.

Modern landscape design is a disciplines combination of nature, culture, society, science and the arts. It needs to build with suitable spiritual culture, should be based on the practice of contemporary landscape, and captures the essence of the law of the spirit of Chinese culture, so that it is possible to make modern landscape Design good use. Category spiritual culture is science, art and morality. The use of our current theories to explain the concept of the material is good and the beautiful unity. Development of landscape design should be more emphasized on people, culture and natural harmony, emphasized the spirit of the modern landscape design of Chinese culture. China only reflects the cultural connotation of landscape design that only has real vitality, only reflecting the cultural characteristics of Chinese design gives a truly spiritual comfort and belonging. Chinese spiritual and cultural factors and the importance of understanding the development trend of modern landscape design have important guiding significance for the landscape design education. Pay attention to the spirit of Chinese culture landscape, image creation and reflect; seeking plot reflects China's landscape design that is the way of innovation and development of Chinese landscape design.

Метою статті є аналіз становлення та розвитку пам’яткоохоронного законодавства в Україні.
 Наукова новизна статті полягає в аналізі основних законодавчих і підзаконних актів України, завдяки яким відбулося реформування сфери охорони культурної спадщини в Україні та приведення її у відповідність до міжнародних норм і стандартів.
 Висновки. У законодавчому забезпеченні охорони культурної спадщини України можна до певної міри умовно виділити кілька етапів. Перший розпочався із прийняттям Декларації про державний суверенітет України від 16 липня 1990 р., яка започаткувала зміну державних підходів до культурної спадщини України, задекларувавши культурне відродження українського народу й необхідність повернення національних, культурних та історичних цінностей України, що знаходяться за її межами. Водночас базовим актом стали Основи законодавства України про культуру від 14 лютого 1992 р. Саме Основи законодавства України про культуру визначили правові засади діяльності органів публічної влади у сфері охорони культурної спадщини, а також започаткували процес формування Державного реєстру національного культурного надбання. Конституція України від 28 червня 1996 р. більш послідовно, у порівнянні з Конституцією УРСР, забезпечила гарантії культурних прав громадян та обов’язки держави щодо охорони культурної спадщини. На цьому етапі було ратифіковано ряд міжнародних актів у сфері охорони культурної спадщини, а також прийнято національні законодавчі й підзаконні акти, спрямовані на імплементацію цих норм у національне законодавство України, зокрема Закон України «Про вивезення, ввезення та повернення культурних цінностей» від 21 вересня 1999 р. Другий етап розпочався з ухваленням Закону України «Про охорону культурної спадщини» від 8 червня 2000 р., в якому враховані основні тенденції міжнародно-правового забезпечення охорони культурної спадщини, зокрема положення Конвенції ЮНЕСКО про охорону всесвітньої культурної і природної спадщини 1972 р. Законом урегульовані права та обов’язки суб’єктів охорони культурної спадщини, а також порядок формування Державного реєстру нерухомих пам’яток України за категоріями національного й місцевого значення. На цьому етапі ухвалені й такі важливі нормативні акти, як Закон України «Про охорону археологічної спадщини» від 18 березня 2004 р. і Загальнодержавна програма збереження та використання об’єктів культурної спадщини на 2004–2010 роки, затверджена Законом України від 20 квітня 2004 р. Третій етап розпочався з ухваленням Закону України «Про культуру» від 14 грудня 2010 р. і триває донині. На цьому етапі ухвалено ряд важливих змін до законодавства, спрямованих на приведення українського пам’яткоохоронного законодавства до міжнародних норм і стандартів, зокрема щодо збереження пам’яток культурної спадщини, включених до Списку всесвітньої спадщини ЮНЕСКО.

Following China’s reform and opening up in 1978, the image of European and American city construction has shaped China’s modern urban environment, but the creation of Chinese cities’ original intrinsic cultural landscape has been neglected. This leads to a break in the inheritance of garden culture in contemporary public and open urban landscape design. This study investigates the process of integrating traditional Chinese gardens into contemporary landscapes using grounded theory. In this study, In Vivo Coding is utilized to conduct a thorough analysis of textual materials through a three-step process: Open Coding, Axial Coding, and Selective Coding saturation test. The identified data are meticulously coded and summarized, culminating in the construction of a theoretical model. The study revealed that the incorporation of traditional Chinese garden elements in contemporary urban landscape design involves several key aspects: firstly, employing the traditional layout and spatial form of the entire design site; secondly, integrating modern public landscape design scenes with traditional garden design concepts to evoke a distinct Chinese ambiance; furthermore, utilizing both modern technology and materials alongside traditional techniques to create multi-dimensional elements within the site. The present study systematically synthesizes and examines the incorporation of traditional Chinese garden elements in contemporary urban design across six dimensions. This research offers a theoretical framework for the preservation of traditional garden culture and its integration into modern landscape, as well as furnishing mechanisms and methodologies for integrating traditional culture into contemporary landscape design practice. This research provides a valuable reference for preserving and practically implementing traditional garden elements in contemporary urban landscapes.

The aim of the study is to define international legal standards in the field of protection of cultural heritage and legal acts aimed at the implementation of relevant standards in the national legislation of the state. The methodological base of the research combines general scientific and special scientific concepts, theories and methods. Such methods of cognition as historical, comparative analysis, empirical generalization, modeling and abstraction, dialectical, systemic, complex, and others are used as the methodological base of the research. So, for the knowledge of the legal content of the concept “protection of cultural heritage” the dialectic method is used. The methods of modeling and abstraction are used in the process of studying the implementation of international legal standards for the protection of cultural heritage. Gnoseological methods of cognition are also widely used - induction, deduction, analysis and synthesis, which made it possible to solve the problem of studying the ontological and practically praxeological paradigm of cultural heritage in the modern context of constitutional and legal development. The scientific novelty of the research lies in the fact that the issue of the implementation of international legal acts in the field of protection and preservation of cultural heritage from the perspective of contemporary global challenges has been actualized for the first time. Сonclusions. As a result of the study, the following most important characteristics of international legal standards for the protection of cultural heritage and their implementation in the national legal system should be noted: providing citizens of the state with legal means of using the norms of international treaties on the protection of cultural heritage; mediation of the national implementation of international treaties by all types of legal activities of the state; the need for official publication implemented an international treaty on the protection of cultural heritage; the saturation of international treaties on the protection of cultural heritage with evaluative concepts, the high level of abstractness of their requirements; influence on the practice of implementing the norms of the studied international treaties of acts of international law enforcement agencies; the presence of international mechanisms that monitor the implementation of international obligations undertaken by states under treaties for the protection of cultural heritage.

Modern landscape design originated in the West, and current modern landscape design in China largely imitates Western styles. Due to differences in culture, aesthetics, and history between the East and the West, this trend of imitation has led to the gradual disappearance of local ethnic and regional characteristics. As a unique Chinese art form, landscape painting serves as a bridge between natural landscapes and cultural spirit. Therefore, the innovative application of the spatial concepts of landscape painting in modern landscape design can enhance the artistic quality of landscapes while preserving the distinctive features of Chinese local culture. This paper elaborates on the core connotations of the spatial concepts in landscape painting and explores the intrinsic connection between landscape painting and modern landscape design. Finally, this paper proposes specific strategies for applying the spatial concepts of landscape painting in modern landscape design, aiming to explore a path for modern landscape design that combines both Chinese cultural characteristics and adaptability to contemporary needs.

As a kind of Chinese traditional culture, the traditional garden art stands in the forest of Chinese culture.The traditional garden language includes landscape language, architectural language, and plant language, which reflects traditional way of landscaping of Chinese gardens and also reflects the beauty of art, thus the traditional garden language has important reference function and enlightenments for modern landscape design.The traditional garden culture plays an important role in history of Chinese culture, and the modern landscape design shall inherit the essence of traditional gardens to promote the development of modern landscape.This paper mainly discusses the enlightenments of traditional garden language on modern landscape design.

The protection of intangible cultural heritage has gradually attracted people's attention. In today's digital information age, the use of digital technology in the protection of intangible cultural heritage has become the focus of research in the field of intangible cultural heritage protection. For the protection of intangible cultural heritage to become the key goal of the continuous inheritance of China's traditional culture, this paper fully analyzes the problems existing in the inheritance and protection of intangible cultural heritage, and applies the high-performance computing method to the digital protection and development of intangible cultural heritage, which provides a strong basis for the protection of intangible cultural heritage. The accurate identification and protection of intangible cultural heritage can be achieved by using high-performance computing methods. In addition, the digital protection and development system of intangible cultural heritage is also designed. Finally, the example results show that the digital protection and development system of intangible cultural heritage proposed in this paper can effectively protect intangible cultural heritage and promote the continuous development of domestic local economy. At the same time, it can also strengthen the public awareness of the protection of intangible cultural heritage and effectively promote the inheritance and development of the protection of intangible cultural heritage.

The article analyzes the important directions of ICESCO's activity as one of the main international organizations in the protection of cultural heritage during military conflicts. It is noted that ICESCO is recognized as one of the important international organizations in the protection of cultural heritage, especially during military conflicts. ICESCO was established to promote cooperation between member states in the cultural, scientific and educational fields. The organization has identified the protection of the cultural heritage of the islamic world as one of its priorities and pays special attention to preventing the destruction of this heritage during conflicts. The organization's mandate is to protect, in particular, historical and cultural objects in military conflicts, restore heritage damaged as a result of war, and prevent vandalism and deliberate destruction of cultural objects. Thus, ICESCO actively participates in global efforts to protect cultural heritage and considers the protection of this heritage in military conflicts to be one of the priority issues. The organization's activity in this area is extremely important both in terms of providing the necessary legal and technical support to member states and drawing the attention of the international community to the protection of cultural heritage. Keywords: islamic world, cultural heritage, military conflicts, international law, member states, international community, global efforts, international organizations.

The article deals with the protection of cultural heritage in wetlands under international agreements. It highlights the concept of the cultural and natural heritage of wetlands, and then discusses the protection of the world cultural heritage of wetlands within the framework of UNESCO. The article also identifies cultural values under the Ramsar Convention. It focuses on the assessment of international protection of world cultural and natural heritage in wetlands. Finally, the article refers to the World Heritage of the Wilderness Wetlands. The article contributes to clarifying the absence of an independent legal framework for the protection of cultural heritage in wetlands. The Study concluded that international agreements do not establish explicit international obligations on states. Hence the need for an international convention dedicated to the protection of cultural heritage in wetlands. The study also concluded that there is no judicial mechanism to limit the deterioration of cultural heritage in wetlands.

The starting point in this paper is the position that spatial and urban planning has a key role in sustainable development and the protection of cultural heritage. The planning method used in areas of cultural heritage differs depending on the type and level of the spatial plan. It is possible to identify aspects of protection and sustainable development in plans, with the protection of cultural heritage dominating in practice. Research was carried out on a case study of three spatial plans at different levels, which both in terms of their methodology and content make up the planning system for the protection and sustainable development of cultural heritage in Serbia. The comparative analysis of the plans includes three aspects: protection, the sustainable development of cultural heritage, and the integration of cultural heritage into the planning and protection of landscapes. The implementation models of the spatial plans were considered. The main conclusion of the paper is that the concept of protecting cultural heritage has not evolved into a system of comprehensive and adequate planning for its sustainable development, nor is it sufficiently integrated with the planning and protection of landscapes. The paper provides guidelines for improving both the methodology of spatial planning and the concept of the sustainable development and protection of cultural heritage in spatial plans.

This paper discusses the application of the concept of "Ming Tang" in modern landscape optimization in Chinese geomancy science. Through literature review and case analysis, the application principles of this concept in modern landscape design are extracted, and the project is implemented. It is found that the concept of "Ming Tang" can guide the order of environmental space, increase cultural significance, optimize functional layout, and improve comfort. In addition, this paper also discusses the limitations of the concept of "Ming Tang" in modern landscape design, such as lack of quantitative data support, cultural background differences, etc.