Abstract
ABSTRACT This article examines George Platt Lynes’s scrapbooks, highlighting their role in the queer cultural narrative of the 1930s. Lynes, a key figure in New York’s queer artistic circle, blended personal and mass media images in his scrapbooks, including Vanity Fair clippings. These collections reflect the era’s subtle queer expressions and provide unique insights into queer history and media. Focusing on a Cary Grant photograph from Vanity Fair, the article discusses the multifaceted interpretations of visual media in understanding queer narratives within modernism and modernity and emphasizes the integral role of queerness within these frameworks.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.