Abstract
Summary It is argued in this paper that Coetzee's notion of narrativity necessitates an analysis of the interarticulation between contemporary theoretical discourses and narrative practice. Since calculated construction seems to inform his re‐writing and re‐contextualization of romantic tales of adventure, Genette's structuralist model is used as a framework for tracing Coetzee's unique exploitation of postmodernist narrative strategies via the segmentation of his text into four different parts.
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