Abstract
The author of the article Polish reception of dramas by Pirandello wishes to present a new look at Pirandello which might be noticed among Polish critics of the end of the twentieth and the beginning of the twenty-first century. Briefly, it presents particular tendencies characteristic for the reception of the Italian playwright in the period before and after the war till the sixties, as well as problems faced by Polish critics of that period. The issues which pertained to a new interpretation of this author’s writings are particularly discussed.
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