Abstract
This essay explores the transparent wonder material known as plexiglass, analysing not only its transformations from the everyday and generic to the more elevated forms of art and design, but how innovative design and artistic experimentation with plexiglass utilises design, transparency, and human engagement. As a substance, plexiglass’ blank slate nature can be productively considered in a myriad of forms at many levels through the lens of Umberto Eco’s theory of the “open work.” Histories of Plexiglas® as a chemical invention of the Rohm and Haas company will offer insights into its material transformations for the market, and its relationship to capital. To activate theories that engage Plexiglas® in interior space, I will discuss historical and contemporary design examples. In this essay, I offer new perspectives on designing with Plexiglas® within and against the context of capitalism and consider its postmodern condition. It is organized in the following sections: 1) The transparent interface, 2) Desire and the market, 3) “Bad taste” & Resistance, 4) Explosion into Space.
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