Philosophical character and aesthetic considerations of the concept of tradition

Abstract

In this article, ethical-aesthetic aspects of concept of tradition have been studied philosophically by the object of social science. The studies of the concept of tradition by Uzbek and foreign scientists, its features in the time and space have been analyzed in the context of national and modern aesthetic knowledge. When we talk about traditions, national traditions, we get more and more ideas about ethnic factors, holidays and customs. However, little is known about how tradition serves people as a scientific way of thinking, as a criterion for world outlook. The tradition as a universal concept covers the fields of human activity and science - philosophy, sociology, anthropology, culture, aesthetics, art, religion. The origins, structure, and socio-cultural experience can be distinguished from the communicative, transitional, valuable, gnoselogical, emotional, and functional aspects of traditions. Each historical period has its own traditions and special concepts. One of the philosophers who interpret traditions from the point of view of the present, and which has three meanings according to its scope, is Kutyrev. In his view, “tradition reflects the classical interpretation of pre-writing, pre-industrialized society; Second, tradition is a modern interpretation of a closed society. Further research in the field of aesthetics reveals that new categorical apparatus has been formed, and new categories such as simulacr and body aesthetics (telesnost) are emerging. This forces us to re-examine the traditions of aesthetics, to look at philosophical reflexes(Holme, L & Watts, 1999; Murtazashvili, 2012). In science and the arts, new horizons and paradigms of creativity are redefined, and this later becomes a tradition in science.