Abstract
RESUMO O artigo ensaia a discussão entre a questão do documento na performance e a perspectiva que desarma a lógica do colonizador na produção dessa arte em países periféricos. Sugere a possibilidade de se pensar os desafios das instituições de apoio/arquivo da obra de arte nesse contexto e em face das perspectivas da arte contemporânea, tomando como princípio norteador a ideia de que há uma produção de performance brasileira que escapa ao entendimento forjado nos centros de prestígio internacionais que norteiam o mercado artístico.
Highlights
ABSCTRACT – Performance, Documentation, or what we call by these names? – This essay makes an effort to discuss the question of performance art documentation, under the point of view of the deconstruction of colonizer’s logic as a result of the practice of this art in peripheral countries
The essay suggests the possibility to think about challenges put against institutions in charge to archive and support the work of art, Regards the perspectives concerning contemporary art
As a guiding principle, the idea that there is a production of Brazilian performance which gets out of the common understanding forged in prestigious centers of the international art market
Summary
ABSCTRACT – Performance, Documentation, or what we call by these names? – This essay makes an effort to discuss the question of performance art documentation, under the point of view of the deconstruction of colonizer’s logic as a result of the practice of this art in peripheral countries. No Brasil, onde temos uma excelente história de críticas ao estatuto documental da fotografia, nem precisamos da citação que Auslander faz de Kathy O’Dell para concluir que os dois aspectos são falíveis (e não apenas a reconstrução, como assinala a autora citada).
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