Penggambaran Tokoh Oda Nobunaga Dalam Drama Nobunaga Concerto

Abstract

This thesis entitled “The Description of Oda Nobunaga in the Drama of Nobunaga Concerto”. This thesis aims to know character’s description of Oda Nobunaga and its comparison in historical fact. The method used to analyze the data is descriptive analysis techniques. This thesis used the new historicism theory by Barry (2002) and the semotics theory by Saussure (1913). According to the result, there are three descriptive dimensions of Oda Nobunaga namely physiological, psychological, and sociological dimensions. Physiological dimension is shown with three aspects namely, 1) physical characteristics, 2) age, 3) clothes and accessories. Psychological dimension is shown with two aspects namely, 1) characters and 2) intelegence in arranging the strategy of war. Sociological dimension is shown with two aspects namely, 1) social status and 2) social relations. This research examines the comparison between the character of Oda Nobunaga and Oda Nobunaga in historical fact by three dimensions. First, based on physiological dimension, three have been found similarities in terms of body posture and shape of face, while the differences are the style of haircut, age, clothes and accessories. Second, psychologically, the similarities are found on their characters, and the differences found are their intelegence. Third, sociologycally, they are similar in social status-upscale, and having less harmony relations to their surroundings.