Palestine Is Throwing a Party and the Whole World Is Invited: Capital and State Building in the West Bank By KareemRabie. Durham: Duke University Press, 2021. 272 pp.

Palestine Is Throwing a Party and the Whole World Is Invited: Capital and State Building in the West Bank. Kareem Rabie (Durham, NC: Duke University Press, 2021). Pp. 275. 26.95 paper. ISBN: 9781478011958 - Volume 54 Issue 1

Palestine Is Throwing a Party and the Whole World Is Invited: Capital and State Building in the West Bank. KareemRabie. Durham, NC: Duke University Press, 2021. 272 pp.

Palestine Is Throwing a Party and the Whole World Is Invited: Capital and State Building in the West Bank is a sobering ethnography about the current and possibly future situation in Palestine or, ...

Article Kareem Rabie: Palestine is Throwing a Party and the Whole World is Invited: Capital and State Building in the West Bank was published on February 7, 2022 in the journal New Global Studies (volume 0, issue 0).

Akhil Gupta Red Tape: Bureaucracy, Structural Violence, and Poverty in India Durham, NC: Duke University Press, 2012 368 pp ISBN 978 0 8223 5098 9 (pb) US$ 26.95 Matthew S Hull Government of Paper:...

Click to increase image sizeClick to decrease image size Acknowledgments She would like to offer thanks to Charles E. Morris III for the opportunity to participate in this forum and for his always insightful engagement with her work, and to the Maine writing retreat participants who provided feedback on early portions of this essay Notes 1. Deborah B. Gould, Moving Politics: Emotion and ACT UP's Fight against AIDS (Chicago: University of Chicago Press, 2009), 10. 2. Ann Cvetkovich, An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures (Durham, NC: Duke University Press, 2003), 167, 157. 3. David M. Halperin and Valerie Traub, “Beyond Gay Pride,” in Gay Shame, ed. David M. Halperin and Valerie Traub (Chicago: University of Chicago Press, 2009), 3. 4. Halperin and Traub, “Beyond Gay Pride,” 3. 5. Gould, Moving Politics, 70. 6. Gould, Moving Politics, 71–2. 7. Jasbir K. Puar, Terrorist Assemblages: Homonationalism in Queer Times (Durham, NC: Duke University Press, 2007), 2. 8. Gould, Moving Politics, 88–9. 9. Debra Levine, “Demonstration of Care: The ACT UP Oral Histories on Video,” GLQ: A Journal of Lesbian and Gay Studies 16, no. 3 (2010): 442. 10. Cvetkovich, An Archive of Feelings, 170. 11. Cvetkovich, An Archive of Feelings, 173. 12. Michael Hardt, “Foreword: What Affects Are Good For,” in The Affective Turn: Theorizing the Social, ed. Patricia Ticineto Clough with Jean Halley (Durham, NC: Duke University Press, 2007), ix; Gregory J. Seigworth and Melissa Gregg, The Affect Theory Reader (Durham, NC: Duke University Press, 2010), 12–13. 13. Gould, Moving Politics, 23. 14. Sally R. Munt, Queer Attachments: The Cultural Politics of Shame (Burlington, VT: Ashgate, 2007), 103, 203, 216. 15. Jennifer Moon, “Gay Shame and the Politics of Identity,” in Gay Shame, 360. 16. “GAY SHAME Seeks Nominations for Annual Shame Awards,” Gay Shame San Francisco, http://www.gayshamesf.org/awards2003.html. 17. Halperin and Traub, “Beyond Gay Pride,” 9; Eve Kosofsky Sedgwick, Touching Feeling: Affect, Pedagogy, Performativity (Durham, NC: Duke University Press, 2003), 37. 18. Douglas Crimp, “Mario Montez, for Shame,” in Gay Shame, 72; Kathryn Bond Stockton, Beautiful Bottom, Beautiful Shame: Where “Black” Meets “Queer” (Durham, NC: Duke University Press, 2006), 27. 19. For a particularly pointed criticism of the kinds of privilege enacted in discussions of shame, see: Judith Halberstam, “Shame and White Gay Masculinity,” Social Text 23, no. 3–4 (2005): 219–233. 20. Halperin and Traub, “Beyond Gay Pride,” 25. 21. Munt, Queer Attachments, 87, 102. 22. Heather Love, Feeling Backward: Loss and the Politics of Queer History (Cambridge, MA: Harvard University Press, 2007), 14. 23. Love, Feeling Backward, 19. Additional informationNotes on contributorsErin J. RandErin J. Rand is Assistant Professor of Communication and Rhetorical Studies at Syracuse University

Reviewed by: My Voice is My Weapon: Music, Nationalism, and the Poetics of Palestinian Resistance by David A. McDonald Lisa Urkevich My Voice is My Weapon: Music, Nationalism, and the Poetics of Palestinian Resistance. By David A. McDonald. Durham, NC: Duke University Press, 2013. [xix, 338 p. ISBN 9780822354680 (hardcover), $94.95; ISBN 9780822354796 (paperback), $25.95; (e-book), various.] Illustrations, appendix, bibliography, index. David McDonald’s My Voice is My Weapon investigates protest songs and performers of the Palestinian Resistance, and in doing so, provides the first thorough examination of the relationship between Palestinian nationalism and musical expression. McDonald demonstrates that, in the absence of political and economic means, Palestinians dwelling in different geographic zones can often only unite and reveal sentiments through communicative media like music. The songs provide a forum for subaltern/nationalist ideologies and promote powerful feelings “of national identity both within and between communities in ’48 (Israel), in the occupied West Bank and Gaza Strip (al-bilād), and in exile (al-ghūrba) (Jordan, Syria, Lebanon)” (p. 39). But beyond this, songs frequently have a greater purpose, in that they actually generate sentiments, shape national identities, and provide a space for signifying power structures. As the title suggests, the voice, the song, is the weapon, not just a mirror, but the tool of action or defense. The introduction and first chapter discuss theory and methodology, noting that the approach blends historical and ethnographic modalities to explore the cultural meanings of the music. McDonald then presents a historical overview of the canon of Palestinian Resistance song, as chapters 2–5 focus on works within the changing social and political landscape dating from the late Ottoman period into the twenty-first century. The second half of the book departs from the general historical narrative with a chronological ethnographic perspective, first concentrating on the career and life of the musical artist Kamāl Khalīl, and then concluding with the activities of the Palestinian hip-hop group DAM, which at the time of McDonald’s research presented a new direction in Resistance songs that was taking hold among youth in the West Bank and Israel, where the band resides. Through accounts spanning almost a century, McDonald elucidates the fact that cultural perspectives shift, as does the nature of the musical compositions under consideration. Following the introductory material, chapter 2 opens with a brief description of present-day displaced Palestinians who come weekly to a Jordanian tourist site atop a mountain to look down at the “ancestral lands they are prohibited from ever visiting” (p. 36). Here, a group of young girls sing a famed folk song of the Palestine al-nakba (“catastrophe,” i.e., 1948 exodus) with text such as, “It is better to be killed by daggers than ruled by the unjust” (ibid.). Following this, the topic jumps to the songs of Nuḥ Ibrāhīm (b. 1913), a Resistance poet who represents the early feelings toward Zionist expansion before 1948, before al-nakba. His works, composed in a colloquial style and dialect, appealed to rural, [End Page 146] nonliterate villagers of the time. For instance, he set texts to the traditional musical art of muḥāwara, sung dueling, but rather than have tribes or Arab groups engage in an improvisatory verbal battle as was the traditional approach (Lisa Urkevich, Music and Traditions of the Arabian Peninsula [New York: Routledge, 2015], 22), Ibrāhīm’s most famous muḥāwara has preset lyrics pitting Zionist against Arab, e.g., “A[rab]: I’ll erase the name of Zionism in the protection of my country Palestine.” “Z[ionist]: My wealth is from lies, and I must own Palestine” (p. 47). The modern-day protest singing of the Palestinian girls at the Jordanian tourist site, who arguably represent the future, juxtaposed with Ibrāhīm’s long-ago defiant “folk genre” piece, demonstrate the extraordinary breadth, length, and perseverance of the Palestinian struggle. This sets the tone for the historical stages presented on the subsequent pages. At various points in the text, McDonald notes the fact that protest songs were not just generated by Palestinians, but were penned by those from the greater Arab world as well. Beginning...

American Studies in Honor of William Kenneth Boyd. By Members of the Americana Club of Duke University. Edited by David Kelly Jackson. [Duke University Publications.] (Durham: Duke University Press. 1940. Pp. ix, 377. $4.00.) American Studies in Honor of William Kenneth Boyd. By Members of the Americana Club of Duke University. Edited by Jackson David Kelly. [Duke University Publications.] (Durham: Duke University Press. 1940. Pp. ix, 377. $4.00.) Ella Lonn Ella Lonn Goucher College Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume 46, Issue 4, July 1941, Pages 932–933, https://doi.org/10.1086/ahr/46.4.932 Published: 01 July 1941

United States Policy toward China: Diplomatic and Public Documents, 1839–1939. Selected and arranged by Paul Hibbert Clyde, Department of History, Duke University. [Duke University Publications.] (Durham: Duke University Press. 1940. Pp. xv, 321. $3.50.) Get access United States Policy toward China: Diplomatic and Public Documents, 1839–1939. Selected and arranged by Clyde Paul Hibbert, Department of History, Duke University. [Duke University Publications.] (Durham: Duke University Press. 1940. Pp. xv, 321. $3.50.) Earl Swisher Earl Swisher University of Colorado Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume 46, Issue 3, April 1941, Pages 655–656, https://doi.org/10.1086/ahr/46.3.655 Published: 01 April 1941

About the Contributors

About the Contributors

New Scholarship

Whatever approach I take, when I attend to the question of the margin, it resolutely returns to the red line drawn down the left-hand-side of a lined page. It is the red, ruled margin I was trained...

Previous articleNext article No AccessBooksTelevision, Politics, and History . By Purnima Mankekar. Durham, N.C., and London: Duke University Press, 1999. . By Arvind Rajagopal. Cambridge: Cambridge University Press, 2001. Screening Culture, Viewing Politics: An Ethnography of Television, Womanhood, and Nation in Postcolonial India. By Purnima Mankekar. Durham, N.C., and London: Duke University Press, 1999. Politics after Television: Hindu Nationalism and the Reshaping of the Public in India. By Arvind Rajagopal. Cambridge: Cambridge University Press, 2001. Ambient Television: Visual Culture and Public Space. By Anna McCarthy. Durham, N.C., and London: Duke University Press, 2001.Felicia Hughes‐FreelandFelicia Hughes‐FreelandSchool of Social Sciences and International Development, University of Wales Swansea, Swansea, U.K. (f.hughes‐[email protected]). 7 i 02 Search for more articles by this author School of Social Sciences and International Development, University of Wales Swansea, Swansea, U.K. (f.hughes‐[email protected]). 7 i 02PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Current Anthropology Volume 43, Number 4August/October 2002 Sponsored by the Wenner-Gren Foundation for Anthropological Research Article DOIhttps://doi.org/10.1086/342435 Views: 44Total views on this site PDF download Crossref reports no articles citing this article.

Previous articleNext article No AccessBook Review. Edited by Ania Loomba and Ritty A. Lukose. Durham, NC: Duke University Press, 2012. . Edited by Srila Roy. London: Zed, 2012. South Asian Feminisms. Edited by Ania Loomba and Ritty A. Lukose. Durham, NC: Duke University Press, 2012. New South Asian Feminisms: Paradoxes and Possibilities. Edited by Srila Roy. London: Zed, 2012. Queer Activism in India: A Story in the Anthropology of Ethics. By Naisargi N. Dave. Durham, NC: Duke University Press, 2012.Amy BhattAmy BhattUniversity of Maryland, Baltimore County Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Signs Volume 40, Number 1Autumn 2014 Article DOIhttps://doi.org/10.1086/676963 Views: 262Total views on this site For permission to reuse, please contact [email protected]PDF download Crossref reports no articles citing this article.