Abstract
A stage performance is not only a play, it has also become a medium to state something else. It is possible that through the performance presented, the dynamics of life could be an inspiration for the creator to produce certain stories; constructing new reality. Every single scene seems unrelated at fi rst, but then combined to a story containing values. It can be social critique, politic strategy, entertainment, or money machine. Regarding the context, this article is meant to be a critical refl ection to a particular play in Taman Budaya Yogyakarta (TBY). Here the writer is willing to share about spectator’s world and a play performance carrying women movement issue; a stage imagined to be a refl ection of daily life, yet live so close to appreciations and full of paradoxes.
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