Abstract
The main objective of this article is to identify and analyze the exercise of corporal practices of young men that execute scenic dance in terms linking / separation of what incarnate as men. In the analysis of the constitution from non-hegemonic masculinities dance, we offer three body itineraries are a real cultural field in which confrontations rise to traditional models of masculinity and emerges from them a display of “other practices”: poor, weak, unstable to (re) construct the masculine; This (re) construction fortifies on the performative field of dance, once regarded as a space “feminized” to recognize and resignifying as sand body transformation and embodiment of other male practices: their affections, development of aesthetic appreciation, care physical and bodily experience.
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