Abstract
The Operature (2014), the first work of Anatomical Theatres of Mixed Reality (ATOM-r), is a live performance and augmented reality poem engaging themes of anatomical science and spectacle. The work's choreography and use of technology are influenced by research into a series of diverse anatomical histories including early-modern surgical theatres, Francis Glessner Lee's miniature crime-scene re-enactments, known as the Nutshell Studies of Unexplained Death, and The Stud File, an autobiographical record of the sexual exploits of Samuel Steward, a twentieth-century tattoo artist, gay pornographer and friend of Gertrude Stein. This writing traces the development of the work and its attempt to create a fluid integration of live performance and computational systems.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: International Journal of Performance Arts and Digital Media
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
