Abstract
ABSTRACT This paper explores the process of theatre mediatisation by analysing the Italian case study of Aldo Morto 54 by Compagnia Frosini/Timpano. Through a review of the recent literature on the topic, we propose to show how the conceptual framework developed in mediatisation studies can provide a useful contribution to the field of theatre/performance studies. The paper will look at three areas of theatre mediatisation: the mediatisation of dramaturgy through the concept of transmedia; the mediatisation of theatrical presence, with the debate on digital liveness, and the mediatisation of the theatrical relationship through social media. In describing the transmedia project Aldo Morto 54, we will observe the mediatisation process in the field of theatre by looking at a digital extension of a theatre performance and at the way the online audience responded to the project.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: International Journal of Performance Arts and Digital Media
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
