On The Classification Of Psychic-Emotional State Explication Strategies In Artistic Discourse

Abstract

This article is a comprehensive analysis and classification of strategies for explicating the psycho-emotional space of modern female prose, with its desire to convey the internal state of the characters through which the views, thoughts and inner experiences of the writers themselves are revealed. The specificity of artistic discourse also determines the interaction of the characters and the author with the reader: each work of art has a certain pragmatic potential. The study of the criterion features of psychologization tools, which, within the framework of the formation of various tactics, make up various strategies, should naturally include an analysis of the individual author’s overtones of the psycho-emotional meaning, as well as the principles of the use and functioning of markers of the psycho-emotional space, which provides hermeneutic-semiological and hermeneutic – nematic methods. These strategies are based on the author’s intention, his main goal is to tell an interesting story, draw attention to a specific social problem or tell about his own emotional experiences caused by some event in the life of the writer herself. Thus, we have identified three main strategies for narrative psychologization in the discourse of modern female prose: the fatic-hedonistic one – aimed at attracting and entertaining the reader, the regulatory-manipulative – actualizing attention to one or several social problems that concern the writer, and the explicative-reflective one – used for disclosing the inner world and the experiences of the author in an art form.