Abstract
This article presents new information regarding Vicente Garducho's paintings for the high altar and side altars of the Madrid Monastery of the barefoot Trinitarians as well as his twelve paintings of the Life of St. John of Mata, the founder of the Trinitarian order. Carducho's sources for the latter paintings are shown to be a series of prints of scenes from the Life of St. John of Mata published in Paris in 1633, one year before the painter signed his contract with the Trinitarian Monastery of Madrid to paint his series. The article also offers news facts regarding the fortunes of Carducho' s paintings after the Disestablishment of the Monasteries in 1835.
Highlights
This article presents new information regarding Vicente Garducho's paintings for the high altar and side altars of the Madrid Monastery of the barefoot Trinitarians as well as his twelve paintings of the Life of St
Carducho's sources for the latter paintings are shown to be a series of prints of scenes from the Life of St
John of Mata published in Paris in 1633, one year before the painter signed his contract with the Trinitarian Monastery of Madrid to paint his series
Summary
This article presents new information regarding Vicente Garducho's paintings for the high altar and side altars of the Madrid Monastery of the barefoot Trinitarians as well as his twelve paintings of the Life of St.
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