Abstract
The present text aims to identify in Kant’s third Critique some main figures of mediation between morals and aesthetics. In the kantian system, not only nature and reason are separated by an unbridgeable gap, but also morals and aesthetics are different domains of the rationality, which are grounded on different principles. Nevertheless the third Critique explores the possibility of some mediation figures, that can overcome the mentioned gap. This is the task of the reflexive aesthetic judgment and its systematic work. In this process of the aesthetic judgment, the figures of a universal agreement among subjectivities and the moral value of the aesthetic symbol, seem to acquire a central systematic role.
Highlights
De facto a um leitor das Críticas kantianas não passa despercebido uma analogia impressiva entre a experiência do belo, descrita por Kant como um livre jogo da imaginação e do entendimento e a liberdade da vontade como estrutura irredutível da experiência moral ou ética
The present text aims to identify in Kant’s third Critique some main figures of mediation between morals and aesthetics
Nature and reason are separated by an unbridgeable gap, and morals and aesthetics are different domains of the rationality, which are grounded on different principles
Summary
The present text aims to identify in Kant’s third Critique some main figures of mediation between morals and aesthetics. A Crítica da Faculdade do Juízo (CFJ) é uma obra de mediações, sejam estas entendidas como mediação entre a natureza e a liberdade, ou entre a experiência estética e a experiência moral, ou ainda entre aquilo a que se poderá chamar a actividade superior do espírito e os sentimentos que atravessam o corpo.
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