Abstract
Marie-Luise Kohlke and Christian Gutleben: The (Mis)Shapes of Neo-Victorian Gothic: Continuations, Adaptations, Transformations Imperial Impostures and Improprieties Andrew Smith: The Limits of Neo-Victorian History: Elizabeth Kostova's The Historian and The Swan Thieves Cheryl D. Edelson: Reclaiming Plots: Albert Wendt's 'Prospecting' and Victoria Nalani Kneubuhl's Ola Na Iwi as Postcolonial Neo-Victorian Gothic Sebastian Domsch: Monsters against Empire: The Politics and Poetics of Neo-Victorian Metafiction in The League of Extraordinary Gentlemen Jeanne Ellis: A Bodily Metaphorics of Unsettlement: Leora Farber's Dis-Location/Re-Location as Neo-Victorian Gothic The Horrid and the Sexy Patricia Pulham: Neo-Victorian Gothic and Spectral Sexuality in Colm Toibin's The Master Max Duperray: 'Jack the Ripper' as Neo-Victorian Gothic Fiction: Twentieth-Century and Contemporary Sallies into a Late Victorian Case and Myth Sarah E. Maier: Chasing the Dragon: Bangtails, Toffs, Jack and Johnny in Neo-Victorian Fiction Marie-Luise Kohlke: Neo-Victorian Female Gothic: Fantasies of Self-Abjection Hybrid Forms Van Leavenworth: Epistemological Rupture and the Gothic Sublime in Slouching Towards Bedlam Kym Brindle: Dead Words and Fatal Secrets: Rediscovering the Sensational Document in Neo-Victorian Gothic Christian Gutleben: 'Fear Is Fun and Fun Is Fear': A Reflexion on Humour in Neo-Victorian Gothic Contributors Index
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