Abstract
The article analyzes the neoclassical ballet forms of the late twentieth century, and describes the unique scenic method and stylistics of the outstanding choreographers of Europe – Jiri Kilian and Edward Klug.Their formal technical and stylistic features of their stage work are described in detail. The peculiarities of ballet neoclassic in Europe are determined. Analyzes of scientific research on ballet criticism in the field of neoclassicism and neoclassicism.Key words: neoclassicism, neoclassicism, choreography, ballet, modern ballet, stage forms, ballet of Europe, Kyiv Municipal Academy of Variety and Circus Art.
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