Abstract
The article analyzes the neoclassical ballet forms of the late twentieth century, and describes the unique scenic method and stylistics of the outstanding choreographers of Europe – Jiri Kilian and Edward Klug.Their formal technical and stylistic features of their stage work are described in detail. The peculiarities of ballet neoclassic in Europe are determined. Analyzes of scientific research on ballet criticism in the field of neoclassicism and neoclassicism.Key words: neoclassicism, neoclassicism, choreography, ballet, modern ballet, stage forms, ballet of Europe, Kyiv Municipal Academy of Variety and Circus Art.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
