Abstract
ABSTRACT This study responses to call for an evidentiary frame that incorporates the contested views of cultural trauma in dark tourism sites. Central to this contestation is a failure to break down the victim-perpetrator binary that particularly struggles for truth-seeking transnationally and trans-generationally. This requires a new and critical heritage interpretation, addressing traumatic historical lessons and reaching a reconciliation for future integration and inclusivity. With employment of semi-structure interviews and participant observations, this study of the Memorial Hall of the Victims in Nanjing Massacre by Japanese Invaders illustrates how dark tourism and counter-monuments play a critical role in transforming massacre trauma into commemorative practices. Designing and building new tourism space and artworks as counter-monuments proves to be one significant encoding practice that negotiates more mundane and interactive peacebuilding and reconciliation. Such negotiation contributes to a more meaningful and holistic understanding of cultural trauma, heritage interpretation, memory and identity. Its implications can inspire future research to explore tourism’s transformative potential for remembering, forgetting and healing.
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