Narrating the Contested Space of Detroit’s River Rouge, 1600–2015

Abstract

Abstract The River Rouge, which flows through Michigan into the Great Lakes at Detroit, has been a contested space, from the Mound Builders c. 1100 AD to the present. The river’s changing uses and meanings provide a microcosm of North American history, including Native Americans, French fur traders, the British, American settlers, small-scale industries, and Henry Ford’s largest factory. Narratives treat the river as a landscape, as a highway, as a natural resource, as raw material, as a minor detail, or as a threatened environment. The river has been part of a romantic view of pre-history, a heroic story of colonial conquest, a tale of democratic expansion into new land, an exemplary second creation in which unfinished nature is transformed into the world’s largest factory, a narrative of class warfare between workers and capitalists, a tale of the triumph of democracy over National Socialism in World War II, a tragic story of the exploitation of nature, and a recovery narrative in which the river is rescued from pollution and misuse.