Abstract
The present study aims to put forward a state of the art regarding interaction in narratives, providing a blueprint for further analysis of the phenomenon in Romania. It starts by taking into account in a comparative manner the “popular” definitions of narrative and how these might affect the general reception of narratives in various cultural spaces, comparing the Anglo-American tradition to the Romanian one. It then proceeds to identify and correlate different theories of interaction in narrative, focusing on models by Janet Murray, Jan van Dijk and Eric Zimmerman.
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