Abstract
Abstract This essay presents in dialogue two renditions of the Nancy comics by original creator Ernie Bushmiller and the later poet and visual artist Joe Brainard. Arguing for a generative consideration of these seemingly disparate versions on a continuum, this comparison addresses the ongoing seriality of Nancy as offering a complex queer adorability that destabilizes modes of identification in the Nancy comics and beyond. Both Brainard’s and Bushmiller’s Nancy texts draw on the controlled miniature and the unwieldy additive catalog, which are characteristic of the long-running serial comics form. As queer texts that oscillate between popular iconographies, these iterations of Nancy provide resistance to expectations for normativity, narrative closure, static character performance, and bound space in relation to twentieth-century American collective identities.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
