Abstract
In the Jewish tradition dybbuk is the soul of deceased, which takes control on the body of a living person. Its presence revals everlastingly interweaving of life and death. This article shows the connection between phenomenon of dybbuk and Sartre’s love conception; its focusing mainly on issues of the gaze and its relation with imagination. This text also register, that drama The Dybbuk continues romantic tradition, based on category of distance and status of the relation between love and death. Moreover, article takes the problem of Jewish mysticism, in the context of Anski’s drama. What you are, dybbuk? Perhaps you live in each of us.
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