Abstract
The reason for writing the article was the musical manuscript (Kant) found by Lyudmila Posokhova, which for a long time was considered lost. The uniqueness of this monument is that it is the only preserved sheet music example from the early modern period school performances from Ukrainian Orthodox educational institutions, in particular, the Chernihiv College. The manuscript dates from 1706. All other musical works of this type are preserved without notes, only with the verbal text. The most likely author(s) of the edging was one of the teachers or students of the rhetoric class. The study of the musical manuscript in the context of the history of the musical culture of the Chernihiv College suggests that the edging could be performed with the accompaniment of one musical instrument (lute) or an entire ensemble. In addition to exploring the musical theoretical and structural features of the work, the article presents information about singers of archbishops of Chernihiv, student-singers, the play of students on various musical instruments, as well as music practice in traveling groups.
Highlights
По-третє, форма канта та його структура знаходять паралелі у партесних композиціях
The study of the musical manuscript in the context of the history of the musical culture of the Chernihiv College suggests that the edging could be performed with the accompaniment of one musical instrument (lute) or an entire ensemble
Summary
Підставою для написання статті стало віднайдення Людмилою Посоховою нотного канта з рукопису, який тривалий час вважали втраченим. Текст четвертої [4] і шостої [6] строф точно повторює одинадцята [11], натомість ідентичні третя [3] та п’ята [5] строфи було змінено в десятій [10], де звертання «царю» замінено на «государю». У дводольному метрі написано строфи 1, 7, 9, 13, 14, 15, 16, у тридольному строфи 2, 3, 4, 5, 6, 8, 10, 11, 12, а в першому такті загалом тридольних строф 3, 5 та 11 використано дводольний метр. У канті використано повтор вірша в межах однієї строфи, що загалом сприяє «цементуванню» загальної музичної структури. По-третє, форма канта та його структура знаходять паралелі у партесних композиціях
Sign-in/Register to view highlights & summary Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
