Abstract
The article addresses the issue of form creation in instrumental music, which is considered one of the central topics in musicology. Instrumental music, due to its “purity” and lack of extramusical elements, serves as a basis for analyzing the structure of musical form. The author emphasizes the importance of musical form within the cultural system and its connection to the genre and stylistic features of a work. The article explores the role of theme, cyclicity, and programmatic elements in constructing a musical composition, as well as the significance of performative form, which is manifested through repetition. Special attention is given to the interaction of semiological, epistemological, and praxeological approaches in the study of musical form.
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