Abstract
In the event of natural acoustics recordings, it is essential to decide on the room and, consequently, on the reverb. The decision is very important, as the consequences are not possible to be changed in the process of mixing. Therefore, proper selection of the parameter is often essential to achieve the effect desired. The aim of the study is an attempt to answer the question what is the optimal or preferred by an average listener reverberation time and other room acoustic parameters in choral music. As part of the study, sound samples of choral music that differed only by the reverb were made. The samples were tested using the procedures of multidimensional scaling. Ambisonics, altogether with VBAP, was used in the listening test.
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