Abstract

Francis Robinson (1910–80; Figure 1) fell in love with opera the day that a lady wearing a tailored suit, pince-nez, and a bird hat came from the Victor Company to his school to demonstrate the Victrola. That was the day he first heard Enrico Caruso sing. Later, still a schoolboy and never having heard the tenor in person, Robinson mourned Caruso's death. The beauty and magnificence of opera entranced him, and the celebrity of opera personalities intrigued him. He found his dream home in the Metropolitan Opera. The correspondence, photographs, clippings, programs, memorabilia, and other materials that he received, wrote, and collected during his many decades with the Met reside at Vanderbilt University Special Collections and provide a rich resource for opera scholars.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.