Abstract

The novels of J.G. Farrell (1935–79), reveal a writer preoccupied with the cultural representation of Britain in an era of post-imperial decline. Farrell's ‘Empire trilogy’ illustrates a national consciousness examining its chequered past through focus on Ireland in Troubles (1970), the Indian Rebellion of 1857 in The Siege of Krishnapur (1973) and the fall of Singapore in The Singapore Grip (1978). In doing so, Farrell's novels feature a notable proliferation of flora and fauna, particularly his use of dogs as representative of national character and the changeable state of British society under attack. This article argues that Farrell's novels explore the state of post-imperial Britain through a sustained focus on dogs and animality. In situations marked by degradation and decline, Farrell gradually collapses the boundaries of order and disorder, obedience and disobedience and man and beast, inviting comparisons between the animal instincts of the dogs that populate his novels and those of Britons fighting for survival.

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