Abstract
ABSTRACT This article examines the development of military piping in British Malaya, with a particular focus on Singapore, from 1840 to 1971. Through analysis of military records and contemporary accounts, it traces how piping traditions evolved through three distinct phases: early military presence, pre-Second World War Scottish regimental deployment, and post-war reconstruction. The study reveals that, unlike other British colonial territories where Scottish military influence followed more direct patterns of cultural transfer, Singapore’s military piping traditions developed through a complex synthesis of Scottish, Indian, and Gurkha musical practices. During the early period, military bands were predominantly sourced from Indian regiments, with Scottish regiments making only sporadic appearances. The pre-war period saw an unprecedented concentration of Highland regimental presence, leading to significant cultural expressions, including the first Highland gatherings in Singapore. The post-war period was marked by the influential role of the RAF Seletar Pipe Band, which adapted traditional military piping to serve both ceremonial functions and civilian celebrations. The study reveals how military piping adapted to changing security contexts and survived through colonial and post-colonial transitions, reflecting broader patterns of military cultural transfer in British colonial territories.
Published Version
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