Abstract
The article aims to analyze the choreographic structures in the performances made by companies in the independent sector. The realization of performative atmospheres specific to immersive theater within artistic products represents an area of research still unexplored. Traveling from concept to artistic materialization requires a reordering of the professional relationship between the director and the choreographer or the stage movement coordinator. These professional relationships and the principles under which they are established are often discussed, but their mapping often remains in an ambiguous area. The objective of this work is to re-discuss the role of the choreographer and/or the stage movement coordinator in the creation of artistic products.
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