Abstract
Despite the large body of Melville criticism, Melville's short stories still await a critical reappraisal. The attention the tales have received—and it is slight in relation to their importance—has frequently been marred by the critic's idée fixe on Melville which causes him to bend the material he works with to fit preconceived notions, or to approach Melville's symbolic art from so oblique an angle that he ignores dramatic and thematic elements central to Melville's perception. “I and My Chimney” is a significant case in point. In miniature this story embodies, among other things, several themes explored in Melville's other works, an implied criticism of America's “infatuate juvenility,” and particularly Melville's recurrent insistence upon what one recent critic has called “an inductive and empirical evaluation of experience.” In fact, “I and My Chimney” may be considered a thoroughgoing symbolic expression of Melville's basic epistemology.
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