Mediating claims to artistry: Social stratification in a local visual arts community

Abstract

Participant observation was employed to analyze the stratification of artists in the visual art world around a small northeastern American city. Reflecting their art world reputation, artists' strata included naifs, hobbyists, serious amateurs, aspiring preprofessionals, and professionals. The local careers of some artists moved progressively from lower to higher reaches of the system; as they moved upward, their level of professional commitment, art world involvement, knowledge of art, skill, and artistic style tended to change also. Except among professionals, the great majority were women. Overall, certain art styles were selectively favored. The most important selective mechanisms were formal art education, professionalization, artistic style, network centrality, jurying, and sales. With a few recent exceptions, truly naive and imitative traditional styles were excluded from the upper levels in favor of modernist abstraction, innovative figuration, or sophisticated forms ofart brut.