Mass Culture and Sovereignty: The American Challenge to European Cinemas, 1920-1960

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Previous articleNext article No AccessMass Culture and Sovereignty: The American Challenge to European Cinemas, 1920-1960Victoria de GraziaVictoria de Grazia Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by The Journal of Modern History Volume 61, Number 1Mar., 1989 Article DOIhttps://doi.org/10.1086/468191 Views: 58Total views on this site Citations: 24Citations are reported from Crossref Copyright 1989 The University of ChicagoPDF download Crossref reports the following articles citing this article:Nuno Medeiros Fostering Fiction, Forging Literature: Invented Authorship and Publishing Agency in the Grandes Mistérios, Grandes Aventuras Collection, Publishing Research Quarterly 38, no.11 (Jan 2022): 109–116.https://doi.org/10.1007/s12109-022-09863-8Pier Luigi Sacco, Emanuele Teti Maintaining content innovation in an industry with unpredictable returns: a portfolio approach to movie production, Economics of Innovation and New Technology (Jun 2020): 1–19.https://doi.org/10.1080/10438599.2020.1776502Elizabeth Parke Automobiles, screens and the Sinosphere, Journal of Chinese Cinemas 13, no.22 (Oct 2019): 181–197.https://doi.org/10.1080/17508061.2019.1669848Emma Barron Lascia o raddoppia?: Contestants and the Classics, (Aug 2018): 93–138.https://doi.org/10.1007/978-3-319-90963-9_4PETER MISKELL, MARINA NICOLI From Outsiders to Insiders? Strategies and Practices of American Film Distributors in Postwar Italy, Enterprise & Society 17, no.33 (May 2016): 546–590.https://doi.org/10.1017/eso.2015.86Emma Barron Television audience enjoyment and the Lascia o raddoppia? phenomenon, Modern Italy 21, no.33 (Sep 2016): 227–243.https://doi.org/10.1017/mit.2016.32Peter Miskell International films and International Markets: The Globalisation of Hollywood Entertainment, c.1921–1951, Media History 22, no.22 (Feb 2016): 174–200.https://doi.org/10.1080/13688804.2016.1141044Patrícia Albergaria Almeida, Patrícia Dinis Costa Foreign Language Acquisition: The Role of Subtitling, Procedia - Social and Behavioral Sciences 141 (Aug 2014): 1234–1238.https://doi.org/10.1016/j.sbspro.2014.05.212John Sedgwick, Michael Pokorny, Peter Miskell Hollywood in the world market – evidence from Australia in the mid-1930s, Business History 56, no.55 (Mar 2014): 689–723.https://doi.org/10.1080/00076791.2013.837891Elizabeth Zanoni "Per Voi, Signore": Gendered Representations of Fashion, Food, and Fascism in Il Progresso Italo-Americano during the 1930s, Journal of American Ethnic History 31, no.33 (Apr 2012): 33–71.https://doi.org/10.5406/jamerethnhist.31.3.0033David Skully Quotas, (Feb 2012).https://doi.org/10.1002/9780470670590.wbeog479 Quellen- und Literaturverzeichnis, (Apr 2014): 338–376.https://doi.org/10.13109/9783666357152.338D. W. Ellwood Is there a European culture?, Journal of Modern Italian Studies 14, no.11 (Mar 2009): 109–122.https://doi.org/10.1080/13545710802648013michael h. hunt Conquest American Style, Diplomatic History 31, no.22 (Apr 2007): 325–329.https://doi.org/10.1111/j.1467-7709.2007.00604.xThomas Lindenberger Looking West: The Cold War and the Making of Two German Cinemas, (Jan 2006): 113–128.https://doi.org/10.1057/9780230800939_7Ute Frevert Europeanizing Germany's Twentieth Century, History & Memory 17, no.1-21-2 (Apr 2005): 87–116.https://doi.org/10.2979/HIS.2005.17.1-2.87M. Berezin Western European Studies: Culture, (Jan 2001): 16458–16463.https://doi.org/10.1016/B0-08-043076-7/03249-6 Sandie Holguín Taming the Seventh Art: The Battle for Cultural Unity on the Cinematographic Front during Spain's Second Republic, 1931–1936 Holguín, The Journal of Modern History 71, no.44 (Jul 2015): 852–881.https://doi.org/10.1086/235361John Sedgwick, Michael Pokorny The Risk Environment of Film Making: Warner Bros in the Inter-War Years, Explorations in Economic History 35, no.22 (Apr 1998): 196–220.https://doi.org/10.1006/exeh.1997.0691Michael G. Smith Cinema for the “Soviet East”: National Fact and Revolutionary Fiction in Early Azerbaijani Film, Slavic Review 56, no.44 (Jan 2017): 645–678.https://doi.org/10.2307/2502116 Uta G. Poiger Rock 'n' Roll, Female Sexuality, and the Cold War Battle over German Identities, The Journal of Modern History 68, no.33 (Oct 2015): 577–616.https://doi.org/10.1086/245343Sue Bowden, Avner Offer Household Appliances and the Use of Time: The United States and Britain Since the 1920s, The Economic History Review 47, no.44 (Nov 1994): 725.https://doi.org/10.2307/2597714Reinhold Wagnleitner American Cultural Diplomacy, Hollywood, and the Cold War in Central Europe, Rethinking Marxism 7, no.11 (Mar 1994): 31–47.https://doi.org/10.1080/08935699408658085Victoria de Grazia Response: Beyond Time and Money, International Labor and Working-Class History 43 (Dec 2008): 24–30.https://doi.org/10.1017/S0147547900011807