Mary Wollstonecraft and Jane Austen: 'Rape' and 'Love' as (Feminist) Social Realism and Romance

Abstract

Mary Wollstonecraft's argument for female reason in the Vindication of the Rights of Woman (1792) remains an iconic text for thinking through the his-torical struggle between claims to 'equality' and 'difference' for women. Wollstonecraft herslf embodies the antinomy within European Enlightenment thought exposed by simply being female . Jane Austen's writing career, following on from Wollstonecraft's death, offers a quite distinct mode of writing reason for women in her narrative work. While Wollstonecraft's narratives and theoretical arguments can be shown to raise as textual symptoms the deep struggle between female-embodied subjectivity and Enlightenment reason, Austen sublimates her own magnificent claims to reason in writing itself. Wollstonecraft's novels subsume narrative form to analytical content, dramatizing the sufferings of the female subject of Enlightenment 'patriarchy'. Both her principal characters, Mary and Maria, are as good as dead by the end of their narrative struggles, and these narratives founder on their own analysis of autonomous, rational female subjectivity as 'impossible'. Wollstonecraft projected a historical desire to repudiate the humiliations of femininity under Enlightenment patriarchy. Her work engendered a history of feminist reasoning to answer its painful questions. Austen's work, by contrast, seems to have floated effortlessly to the pinnacle of narrative literary achievement, while remaining uncompromisingly feminocentric. Austen's novels have a tendency to resist feminist theorizing or to fit the paradigms of feminist argument only indirectly. Tauchert explores this apparent polarity between Wollstonecraft and Austen as contrasting origins for distinctive modes of female reason in writing. Wollstonecraft's tortuous textual displays of female reason in writing offer a familiar mode of thinking about the historical and personal enlightenment of women, sustained in a tradition of feminist materialist analysis; Austen's pure narrative offers a hitherto more opaque alternative.