Abstract
This essay features discussions with and among Suriname Maroons engaged in cultural work about the names they choose in self-reference. Maroon is just one choice of many; others include Fiiman (free person) and Busikondeesama (hinterland person). Each name differently configures their relationships to various people, places, and ideas across time and space. These reflections question and challenge what communicative work Maroon does in figuring and prioritizing specific components of a broader cultural and historical nexus. The authors deliberately center contemporary Suriname Maroons—not only as cultural stewards but also as individuals actively involved in theorizing Maroon legacies and futures.
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