Abstract
Along with many other late twentieth-century women novelists-Doris Lessing, Margaret Atwood, Nadine Gordimer, Toni Morrison, Anita Brookner, to name a few-Margaret Drabble has been engaged in a revision of literary realism. Employing a variety of innovative narrative techniques and complicated intertextual dialogue with the literary past, Drabble's mature work has both deconstructed tradition and invented a new feminist metafiction in order to
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