Abstract
Magical South is a major detour around my own island, taking a road between urban enclaves in which the popular dynamics of neighbourhoods rub up against and collide with the ‘tourist bubble’, the prototypal closed space for tourism removed from the local. This theoretical ‘photoshoot’ of sorts endeavours to disclose the unconsciousness in operation when we cross through the tourist city, imbued in a semiotics that recreates a time, repetitions and a chaotic visual mesh. It begins with Walter Benjamin’s appraisal of the mechanism that enables copies to continue facilitating motivation for tourist travel. This returns us to the detour without detracting from the critique of the bunkerization of the city through processes like gentrification, paying attention to how everyday violence also runs through ordinary affects and the mainstream banality created by tourism.
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