Abstract
Ancient poets sang in many songs about the mediators taken for warriors in Sangam literature. Madurai Maruthan Ilanaganar, a contemporary of the Pandya king Nanmaran Valuthi, mentions his rare ideas about planting in six songs. This article explores the structure, developmental status of the mediators, the engraving, the imprinting of the human figure, the character of the engraver and the disintegration of the figure, the heroic deed of the opposing hero, and the implantation of messages about his heroism with the implant culture.
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