<italic>Colonialism in Africa, 1870–1960</italic>. Volume 2, <italic>The History and Politics of Colonialism, 1914–1960</italic>, edited by L. H. Gann and Peter Duignan; Volume 3, <italic>Profiles of Change: African Society and Colonial Rule</italic>, edited by Victor Turner. New York: Cambridge University Press. 1970; 1971. Pp. x, 563; viii, 455. $17.50 each.

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Colonialism in Africa, 1870–1960. Volume 2, The History and Politics of Colonialism, 1914–1960, edited by L. H. Gann and Peter Duignan; Volume 3, Profiles of Change: African Society and Colonial Rule, edited by Victor Turner. New York: Cambridge University Press. 1970; 1971. Pp. x, 563; viii, 455. $17.50 each. Get access Colonialism in Africa, 1870–1960. Volume 2, The History and Politics of Colonialism, 1914–1960, edited by Gann L. H. and Duignan Peter; Volume 3, Profiles of Change: African Society and Colonial Rule, edited by Turner Victor. New York: Cambridge University Press. 1970; 1971. Pp. x, 563; viii, 455. $17.50 each. Marcia Wright Marcia Wright Columbia University Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume 77, Issue 4, October 1972, Pages 1164–1166, https://doi.org/10.1086/ahr/77.4.1164 Published: 01 October 1972

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Middle Colonialism - Colonialism in Africa, 1870–1960. Volume 1. The History and Politics of Colonialism, 1870–1914. Edited by L. H. Gann and Peter Duignan. Cambridge University Press, 1969. Pp. 508. £5.
  • Jan 1, 1971
  • The Journal of African History
  • D A Low

Middle Colonialism - Colonialism in Africa, 1870–1960. Volume 1. The History and Politics of Colonialism, 1870–1914. Edited by L. H. Gann and Peter Duignan. Cambridge University Press, 1969. Pp. 508. £5. - Volume 12 Issue 1

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Colonialism in Africa, 1870–1960. Volume I: The History and Politics of Colonialism, 1870–1914. Edited by L. H. Gann and Peter Duignan. Cambridge University Press, 1969. Pp. xi+532, bibl., maps. £5 (U.K.).
  • Apr 1, 1970
  • Africa
  • Lucy Mair

Colonialism in Africa, 1870–1960. Volume I: The History and Politics of Colonialism, 1870–1914. Edited by L. H. Gann and Peter Duignan. Cambridge University Press, 1969. Pp. xi+532, bibl., maps. £5 (U.K.). - Volume 40 Issue 2

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  • Jan 1, 1972
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  • D K Fieldhouse

Reviews of Books Get access Colonialism in Africa, 1870–1960. Volume II, The History and Politics of Colonialism, 1914–1960. Edited by L. H. GANN and P. DUIGNAN. (Cambridge: U.P., 1970. £5.00.) Volume III, Profiles of Change: African Society and Colonial Rule. Edited by VICTOR TURNER. (Cambridge: U.P., 1971. £5.00). D. K. FIELDHOUSE D. K. FIELDHOUSE Nuffield CollegeOxford Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume LXXXVII, Issue CCCXLIII, April 1972, Pages 387–388, https://doi.org/10.1093/ehr/LXXXVII.CCCXLIII.387 Published: 01 April 1972

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Colonialism in Africa 1870–1960. Volume 3: Profiles of Change: African Society and Colonial Rule. Edited by Victor Turner. (Cambridge: Cambridge University Press, 1971. Pp. viii, 455. $17.50.)
  • Jun 1, 1972
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Colonialism in Africa 1870–1960. Volume 3: Profiles of Change: African Society and Colonial Rule. Edited by Victor Turner. (Cambridge: Cambridge University Press, 1971. Pp. viii, 455. $17.50.) - Volume 66 Issue 2

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Colonialism in Africa, 1870–1960, Volume II, The History and Politics of Colonialism. 1914–1960. Edited by L. H. Gann and Peter Duignan. Cambridge: Cambridge University Press, 1970. Pp. x, 563, 8 maps. $17.50.
  • Dec 1, 1971
  • The Journal of Economic History
  • B Marie Perinbam

Colonialism in Africa, 1870–1960, Volume II, The History and Politics of Colonialism. 1914–1960. Edited by L. H. Gann and Peter Duignan. Cambridge: Cambridge University Press, 1970. Pp. x, 563, 8 maps. $17.50. - Volume 31 Issue 4

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Rural livelihoods and agricultural commercialization in colonial Uganda: conjunctures of external influences and local realities

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The Other Zulus: The spread of Zulu ethnicity in colonial South Africa by Michael Mahoney, and: The Griqua Past and the Limits of South African History, 1902–1994 by Edward Cavanagh (review)
  • Nov 6, 2013
  • Journal of Colonialism and Colonial History
  • T.J Tallie

Reviewed by: The Other Zulus: The spread of Zulu ethnicity in colonial South Africa by Michael Mahoney, and: The Griqua Past and the Limits of South African History, 1902–1994 by Edward Cavanagh T.J. Tallie The Other Zulus: The spread of Zulu ethnicity in colonial South Africa By Michael Mahoney. Durham, North Carolina: Duke University Press, 2012. The Griqua Past and the Limits of South African History, 1902–1994 By Edward Cavanagh. New York: Peter Lang, 2011. Identities are incredibly contingent, particularly those crafted in the midst of colonial domination, as most historians of the colonial experience would be quick to affirm. Two recent publications in South African history provide both an understanding of the incredibly localized nature of colonial identity formation, with an eye to the larger politics of settler colonialism. Michael Mahoney’s The Other Zulus: The spread of Zulu ethnicity in colonial South Africa is an ambitious yet careful study of the development of an overarching Zulu ethnic identity during the late nineteenth and early twentieth centuries. Drawing from an extensive variety of government records, personal correspondence, and ethnographic archives, Mahoney constructs a survey of the colonial period in Natal and neighboring polity of Zululand that closely investigates the different pressures that shaped forms of tribal or inter-ethnic allegiance. For Mahoney, Africans who lived within colonial Natal in the years prior to the Anglo-Zulu War profoundly resisted identification with “Zuluness,” instead associating themselves with chieftaincies that had existed prior to the far-reaching conquests of Shaka, the first paramount Zulu ruler. Such a move found ready support with a colonial administration committed to governing on the cheap, particularly under the administration of Theophilus Shepstone, Natal’s long-serving Secretary of Native Affairs, who advocated for colonial rule that rested upon a maintained system of Indigenous governance. Mahoney argues that prior to the outbreak of war in 1879, Natal’s African population believed that their immediate interests lay not in an ethnic identification that required the recognition of a supreme and still very independent Zulu monarch north of the colony. Indeed, he asserts that the identification with local chiefdoms resulted from being situated between a colonial state “too weak to hate” and a Zulu king “too strong to love” (82). It was only after the Anglo-Zulu War that Natal’s African population, linked through a shared antipathy to rising settler power and strengthened through experiences such as those shared by young men on the goldfields of the Witwatersrand, began to look to a greatly reduced Zulu monarchy as a relatively powerless figure upon which they could project complex ideas of nationalist identification. For Mahoney, this process of new ethnic affiliation became most visible with the widespread identification of rebellious Africans with the Zulu monarch Dinizulu in 1906, over a quarter century after the defeat of the Zulu monarchy. Mahoney’s careful, detailed work is at its most effective when he examines the profound disidentification of Natal’s African population with the Zulu kingdom to the north; as he argues, “the Zulu ethnic identity of virtually the entire African population of Natal was itself not a given; it had to be established” (5). Thus begins a richly layered and source-rich description of the awkward negotiation of Africans between colonial rule and a larger Zulu identity. Likewise, by placing the focus of his study firmly in Natal, and not Zululand proper, Mahoney allows for a greater understanding of the complexities of identity formation within a (settler) colonial polity. The profound ambivalences of Africans within Natal with regard to both the Natal government and the Zulu kingdom reveal the limits of a settler state in compelling its Indigenous inhabitants and the nuanced ways in which those colonial subjects worked to articulate themselves on terms most amenable to them. Mahoney’s boldest offerings are also perhaps his most tenuous; in examining the process of African ethnic identification in colonial Natal, he offers productive challenges to the notion of colonial hegemony, particularly as it has been understood in both South African historiography and within larger British colonial history writing. For Mahoney, Zulu ethnic identification arose as a possible choice (which he terms a “moral economy”) in the midst...

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‘More mighty than the waves of the sea’: toilers, tariffs, and the income tax movement, 1880–1913
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Social movements are at once the symptoms and the instruments of social progress. Ignore them and statesmanship is irrelevant; fail to use them and it is weak. Walter Lippmann In the spring of 18...

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Colonialism in Africa 1870–1960. Volume Two: The History and Politics of Colonialism 1914–1960. Edited by L. H. Gann and Peter Duignan. (Cambridge, England: Cambridge University Press, 1970. Pp. 563. $17.50.)
  • Mar 1, 1972
  • American Political Science Review
  • Harvey Glickman

Colonialism in Africa 1870–1960. Volume Two: The History and Politics of Colonialism 1914–1960. Edited by L. H. Gann and Peter Duignan. (Cambridge, England: Cambridge University Press, 1970. Pp. 563. $17.50.) - Volume 66 Issue 1

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Chocolate islands: cocoa, slavery, and colonial Africa
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Higgs's Chocolate Islands: Cocoa, Slavery, and Colonial Africa is an elegantly written, well-illustrated account of the ensuing investigations into this so-called new slavery in Africa orchestrated largely by Cadbury and the British Foreign Office...[The] study resonates today, dealing, as it does, with the often tainted international origins of our later era of mass consumerism. -American Historical Review In Chocolate Islands: Cocoa, Slavery, and Colonial Africa, Catherine Higgs traces the early-twentieth-century journey of the Englishman Joseph Burtt to the Portuguese colony of Sao Tome and Principe-the chocolate islands-through Angola and Mozambique, and finally to British Southern Africa. Burtt had been hired by the chocolate firm Cadbury Brothers Limited to determine if the cocoa it was buying from the islands had been harvested by slave laborers forcibly recruited from Angola, an allegation that became one of the grand scandals of the early colonial era. Burtt spent six months on Sao Tome and Principe and a year in Angola. His five-month march across Angola in 1906 took him from innocence and credulity to outrage and activism and ultimately helped change labor recruiting practices in colonial Africa. This beautifully written and engaging travel narrative draws on collections in Portugal, the United Kingdom, and Africa to explore British and Portuguese attitudes toward work, slavery, race, and imperialism. In a story still familiar a century after Burtt's sojourn, Chocolate Islands reveals the idealism, naivety, and racism that shaped attitudes toward Africa, even among those who sought to improve the conditions of its workers.

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Modern European colonialism was not all of a piece: its essential feature was the foreign rule of Asian and African societies in which socio-cultural institutions were conserved while the administrative apex was monopolised by a white elite. But techniques of rule varied greatly, as did their impact on indigenous society and the economic change they initiated. Factors affecting the pace and trajectory of change included the relative strength of settler and expatriate minorities, the links forged between the colony and international economy, and the sheer duration of the colonial period. Colonial populations had rarely been ethnically and religiously homogeneous before the European conquests, and colonial rule in Africa and South-East Asia exaggerated their segmentary character by encouraging the influx of non-European traders, shopkeepers and moneylenders, contract labourers and plantation workers, small entrepreneurs in the rice-milling and sugar-refining trades, and so on. Modern colonies were, consequently, ‘plural’ societies, and though pluralism did not extend to the autocratic political sphere, it had economic, communal and juridical dimensions which insulated vertical groups (usually defined by ethnicity) from each other.

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Making Waves: René Vautier's Afrique 50 and the Emergence of Anti-Colonial Cinema
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  • Steven Ungar

Making Waves: René Vautier's Afrique 50 and the Emergence of Anti-Colonial Cinema Steven Ungar My preferred of the French filmmakers in their eighties is René Vautier. Now there's someone whose work I'd like to get to know better. —John Gianvito A measure of evolving approaches to French colonial cinema over the past quarter-century came to me recently in the form of Pierre Boulanger's 1975 monograph, Le Cinéma colonial, which was one of the first books on the topic I read some twenty years ago. Looking at the book again, I realized the extent to which Boulanger's industrial-commercial perspective on mainstream features from Jacques Feyder's L'Atlantide (1919) to David Lean's Lawrence of Arabia (1962) had fashioned colonial cinema into a set of what Graham Greene used to refer to as entertainments. While this emphasis may have been viable for the films Boulanger took into account, the corpus from which he drew precluded serious or sustained engagement with the politics of colonization during the period in question. 1 As a result, no mention was made of state-funded short subjects produced in support of colonial policies ranging from education and public health to recruitment of soldiers for the French military among local populations in occupied territories. Equally notable was exclusion of a small but influential set of documentaries whose critiques of the policies noted above promoted the consolidation of anti-colonial sentiments during the period from 1945 through the March 1962 Évian agreements that granted political autonomy to Algeria following 132 years of colonial rule. Even if this exclusion resulted from a decision to study only feature films rather than from a reluctance to contend with the politics of colonization, the invisibility of anti-colonial films in Boulanger's account is significant and questionable. My purpose in what follows is to contribute to ongoing reassessments of French colonial cinema by considering René Vautier's 1950 documentary short, Afrique 50, a type of film whose absence in Boulanger's monograph I take to be significant. At the same time, I mean to situate Vautier's film among models of engaged and militant filmmaking over a somewhat longer duration referred to by film scholars of the past decade as a golden age of the short subject and documentary in France. 2 [End Page 34] My interest in Afrique 50 concerns its place within French colonial film considered over a longer duration, from late nineteenth-century works by Jules-Étienne Marey and the Lumière brothers to post-independence documentaries and fiction features by Gillo Pontecorvo (La Bataille d'Alger, 1966), Claire Denis (Chocolat, 1988), Moufida Tlatli (Les Silences du palais, 1995), and Philippe Faucon (La Trahison, 2005). At the same time, I mean to demonstrate that a significant measure of Afrique 50's oppositional stance concerning colonial policies can be marked by the censorship and criminal condemnation to which it was subjected. Additional measures include its remove from foundational assumptions concerning colonization to be found in listings of interwar features inflected by melodrama (La Maison du Maltais, dir. Pierre Chenal, 1938) and romantic adventure (Pépé le Moko, dir. Julien Duvivier, 1937), as well as newsreels and propagandistic documentaries such as La France est un empire (dirs. Emmanuel Bourcier and Jean d'Argaves, 1939). 3 Ongoing reassessments of the past twenty years also contend with the transition from colonial and post-colonial periods. While this transition—some think of it instead as a break—is often marked by France's withdrawal from Algeria following the March 1962 Évian accords, the role of Afrique 50 within the phenomenon of decolonization between 1945 and 1962 remains to be explored in full. Those who cite Afrique 50 as the first anti-colonial film in France could take their cue from Vautier, who makes the claim in his 1998 memoir, Caméra citoyenne, before adding that he was not thinking along such lines when he undertook the film. 4 The claim is consistent with the persona of renegade or rogue filmmaker (cinéaste à contre-courant) that Vautier (1928-) has cultivated while completing more than twenty films on topics ranging from colonial Africa, the Algerian struggle for...

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  • Jr R Hunt Davis

Teaching & Learning Guide for: Teaching African History in an Era of Globalization

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