Abstract
This article presents an ongoing project, Mneme‐Automaton/Memory‐Machine, which involves collaborative interventions with an existing body of amateur family film footage and written texts. As an integral part of engaging with this material, we identify our different relationships to it: one author as a direct descendant of its producers, the other with no personal connection to the collection. Although both of us are remote in time and space from the original contexts of its production, our intention is to identify a Benjaminian “now‐time” for the material to activate it in the present and render it visible and legible in new ways. In this article, we describe and appropriate selections of the film footage, thereby transforming it into an archive that evokes subjective and affective sensations and experiences that extend beyond the “historical index” of the source material.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
