Abstract
Anastasia Pasquinelli, Italian themes in the poetry of Mikhail Kuzmin : Italy's role as memory theater. A trip of 1895 to the Levant and, after that, a short but very important voyage to Italy, in the spring of 1 897, stamped their mark on all the future literary production of M. Kuzmin. The Hellenistic culture with which he was already imbued, allowed him to discover in Rome the blending of the pagan civilization with the paleo-Christian culture and, in Florence, the neo- Platonic and hermetic trends of the period of Lorenzo the Magnificent. Throughout the work of Kuzmin, formed in the school of Italian Renaissance — which is based on the tradition of memory art and originated the memory theater as imagination space — Italy remains always an inexhaustible source of creativity.
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