Abstract
<p class="Corps">In <em>Khalil</em>, Yasmina Khadra paints a realistic portrait of a terrorist. This novel written in 2018 and developed from a real fact, blurs the spaces of reality and fiction to reveal the apparently unavowable thoughts of a jihadist. It is this detour strategy that this article will seek to clarify. It will be a question of studying how Yasmina Khadra organizes a scrambling of these two worlds, the fictional space and the realistic space, located at the edge of each other, to make them interact, confront each other but also to question.</p>
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