La stop-motion como ejército de resistencia. La tardía edad de oro de una técnica anacrónica

Abstract

Paradoxically, in the era of digital animation, stop motion animation not only does not have retired to the bench "”or the attic of broken toys"” in a scenario that did not ensure its survival, but it reveals itself more bustling than ever was with the completion of numerous feature films that are distributed globally, produced under the baton of veteran directors like Henry Selick "”alma mater of the paranormal Laika"”, Peter Lord "”Aardman Animations"”, Tim Burton or the revived Czech master Jiří Barta, also involving an added attraction for live action filmographies as personal as Wes Anderson’s. Jordi Costa explores this unexpected revival of stop motion animation, which unrush increasingly spreads all latitudes.