Abstract
Semiotic reflection that approaches the cultural magazine as object of qualitative analysis. From Pierre Bourdieu's theory is indicated that the modus operandi that orientates and structures the practice of the intellectual exercise, and of which there are nourished the pages of the cultural journalism it is nourished of personal links, politicallly active favors, academic fights, efforts of financing and pseudo institutional censorships that mark the highest cost for the follow-up and comprehension of these publications.
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