Abstract
The objective of this article is to study the texts on the polemic generated between 1932 and 1933 about the existence of Antillean poetry and the presence of the black theme in Puerto Rican national literature. The main texts of the controversy have been analysed from the perspective of socio-critical theory to identify the social-historical themes addressed by the writers involved. This research has made it possible to establish a relationship between the debate that arose and the conception of the Puerto Rican national imaginary defended by its main participants: Luis Palés Matos and José I. de Diego Padró.
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