La iglesia Santa Clara y la experimentación arquitectónica en el Instituto de Arquitectura UCV, Chile

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This article examines the preliminary design for the Santa Clara Church, designed by Miguel Eyquem Astorga between 1954 and 1956, and situates it within the context of a series of religious architectural works developed at the Institute of Architecture of the Catholic University of Valparaíso (UCV). These works responded to the same question regarding the architectural form capable of accommodating prayer, generating a body of knowledge focused on liturgical and lighting aspects. Santa Clara stands out for the radical way in which Eyquem conceived the interior light: a cube whose envelope filters the light, dematerializes the wall, and transforms it into a radiant surface. The research reveals a design method based on the observation of natural phenomena and experimentation with full-scale models. The research argues that Santa Clara functioned as a design laboratory, from which the Institute consolidated its own position, introducing an experimental perspective to the architectural avant-garde and to architectural education in Chile.

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