Abstract
Through the figure of women, various roles, situations, cultural identities, social and economic aspects are depicted in addition to presenting the aesthetics of women. The involvement of women in various situations and characters is important to know their characteristics, duties and responsibilities. This study focuses on the general chronology of the use of female figures in painting in Malaysia through a visual study by previous and recent painters. Through this analysis, the use of female figures in local paintings can be known and further contribute to the documentation process in an organized manner in addition to learning cultural values, identity and national treasures.
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