Abstract
Even in intense combat scenarios, a significant proportion of a soldier's time is spent passing the time. Tim Hetherington was acutely aware of this contradiction; of the 240 pages of Infidel, his account of the time he spent in Combat Outpost Restrepo in the remote Afghan Korengal valley, only about one sixth show soldiers actually in combat. The remaining pages depict soldiers maintaining their base, passing the time playing cards, wrestling each other, and sleeping. This focus on the lacunary moments between skirmishes and contacts marks out the work as attuned to a more complex understanding of the nature of soldiering in front line situations. This paper situates Hetherington's work into a longer historical engagement with the depiction of soldiers ‘killing time’ between moments of combat, and in the context of how the homosocial nature of the proximity in which soldiers live and work contributes to their combat motivation.
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